![]() While there are areas that I definitely prefer the Samyang, the build and design is not one of them. This is the second compact 45mm lens for Sony FE I’ve looked at in the last couple of months, and I loved the Samyang AF 45mm F1.8 and gave it high marks in my recent review. If you prefer to watch reviews, you can find my thorough video review here:įollow Me Patreon | My Newsletter | Instagram | Facebook | Twitter | Flickr | 500px Sigma 45mm F2.8 Build, Design and Handling So join me as explore the highs and lows of Sigma’s new little full frame mirrorless prime. Leica shooters are more accustomed to spending a premium, but this lens might be a harder sell on Sony. The Sigma 45mm is reasonably priced in an absolute sense, but, as this review will bear out, it might strike the intended audience as being a little “dear” on the Sony side (where I’m reviewing on a Sony a7RIII) when one considers the performance. This lens is also available in a Leica L mount, and there is some conjecture that is really the primary platform the lens was designed for. It is a lens designed to cover the full frame image circle (DG) but is purposefully designed for mirrorless (DN). Though this lens carries a “Contemporary” designation, the build quality is actually very high and the little lens is nearly as feature rich as the Sony G Master lenses. The first of these that I’m looking at is a pint-sized 45mm F2.8 option – the Sigma 45mm F2.8 DG DN. In 2019, however, all of that changes, and Sigma is rolling out multiple dedicated, freshly designed lenses for Sony FE – an eclectic first crop including a small prime with a medium maximum aperture, a big, expensive prime with a huge maximum aperture, and a wide angle zoom that is a dedicated mirrorless design of a popular ART series zoom. 2018 brought retooled versions of a number of their ART series DSLR lenses, though those lenses had clear compromises in size and performance based on their not having been originally developed for Sony. Sigma was a little slow to adopt to the Sony FE platform despite embracing APS-C e-Mount years ago.
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